An essential world-building resource
If you build worlds (as so many people do), you'll be very glad you read Jared Diamond's Guns, Germs, and Steel. I know it's been around for a decade or more, but that in no way diminishes its usefulness. It's one of those books that grabs hold of your brain and wrenches it a bit, and suddenly you look at processes, systems, interactions, consquences, history humanity itself differently. You understand better.
In case you are a stranger to this book, it sets out to explain why some cultures ended up with all the good stuff, and others ended up chronically impoverished. Diamond has an ulterior motive, about which he is quite blatant: he wants to destroy forever the idea that white people ended up with all the good stuff because non-white people were not "fit" to develop it or have it. He's a passionate anti-racist. Which I think is a good thing. But it's not why the book is so good for world-building. That's because it very specifically and in great (often, it must be said, repetitious) detail sets out the factors and processes that cause a culture to advance or not. And you and I need to know this sort of thing if we're going to design cultures of our own, and if those cultures are going to come into conflict. Superficial, fatuous "you have and I want" conflicts are unsatisfying, particularly when we can do a little homework and produce something better, deeper, with more resonance and meaning.
And, of course, the best thing of all is that the publishers have left the serial comma in the title intact.
4 Comments:
Piff, serial commas: superfluous, ridiculous and unnecessary :)
Heresy!
*Gardner Dozois* says the serial comma is the shiz. And who are we to argue? (And you have more to worry about than I: those who cross Gardner get their penises nailed to the table. He said so himself.)
I love serial commas!
And thank you so much for the book rec - I found it at the library, so I'll be reading it over the next couple of weeks. I've never considered myself much of a world-builder (I'm a contemporary whiny-protagonist short story writer for the most part) but suddenly it's, y'know, happening. Also: in love with the thoroughly anti-racist approach you talked about. In conclusion, yay!
And who are we to argue?Writers educated or currently writing outside of America, primarily ;)
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